Inviting Invention at the Cambridge Science Festival
DHC collaborates with scientists and inventors from Harvard and MIT onstage at Novartis Auditorium, April 23-26, 2007
PHOTOS BY: Deb Shafran

SHOW #1: "Chemistry and Collaboration" - Special Guest, Daniel Rosenberg
SHOW #2: "Opposites Interact: Brainstorming the Music in Science" - Special Guest, Dr. Dany Adams
SHOW #3: "Smart Designs and Renegade Instruments: From Thinking Beds to Wearable Harps" - Special Guest, Ted Selker

SHOW #1 - April 23, 2007 - "Chemistry and Collaboration"


Lecture-Demonstrator and Performing Scientist Daniel Rosenberg joins "Inviting Invention" as the special guest for "Chemistry and Collaboration" -- the first of three shows at the festival.

 

Rosenberg and DHC bubble over when their experiment
comes to life during a collaborative performance.
Rosenberg's wife prepares to crush him
under a bed of nails -- and you thought
YOUR marriage was tough!

Deborah reaches to the heavens for inspiration
during her solo portion of the night's events.

 

DHC and Rosenberg are joined by Moderator Jonathan Wyner,
who asks for observations and suggestions from the audience.

Eager volunteers step down from the
audience
to join the action onstage.

SHOW #2 - April 25, 2007 - "Opposites Interact"
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Dr. Dany Adams, an Assistant Research Investigator at Harvard University, joins DHC to explore the interactions between Music and Science. Dr. Deborah gives a lesson on 'the anatomy of a blue harp.' Adams lends a hand - two to be exact -
in a blues experiment that investigates
how music changes when taking into
account lost or added variables.

 

 

Deborah takes a moment to feel the music in a solo excursion. An impromptu band is put together to make spontaneous musical concoctions. Deborah's littlest volunteer gets a hands-on experience.

SHOW #3 - April 26, 2007 - "Smart Designs and Renegade Instruments"
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Dr. Ted Selker, Associate Professor MIT Media Lab and Director of the Context Aware Computing Group, introduces the audience to the aspects of his research. Selker takes on the role of user as DHC becomes a harp-computer, trying to understand commands at their most basic level to satisfy the user's intentions. The audience grabs the reigns as DHC pays close attention to their direction.
With minimal, precise movements, Selker tries to get Deborah to play the harp as if he himself were playing it - like a virtual DHC! Selker gets a harp lesson the soundless way. The audience comes down one-by-one to add a new layer of music in a collaborative songmaking venture - the results: beautiful.
     


*This program was supported in part by a grant from the Cambridge Arts Council, a local agency which is supported by the Massachusetts Cutural Coun cil,
a state agency, a grant from the Council for the Arts at MIT and by Novartis Institutes for Biomedical Research.
 
 
 

 

 

DHC Visits the Farmer's Market