[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.4.6″ custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” padding_mobile=”off” locked=”off” collapsed=”off”][et_pb_row disabled_on=”on|on|on” admin_label=”Row 1 – HIDE this entire section of modules ONCE the REPLAY is READY” _builder_version=”4.4.1″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” disabled=”on”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.hipharp.com\/academy\/wp-content\/uploads\/2019\/11\/harphat-work-in-progress-2019_v1-1.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” disabled_on=”off|off|off” admin_label=”Image: ” _builder_version=”4.2.2″][\/et_pb_image][et_pb_text admin_label=”Divider” _builder_version=”4.2.2″]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” admin_label=”Row 2 – Main BODY of the Page. Update Status Note, Video, Audio, and PDF section” _builder_version=”4.4.6″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”10px|10px|10px|”][et_pb_column type=”4_4″ _builder_version=”3.0.47″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text disabled_on=”on|on|on” admin_label=”Status Note: STILL A DRAFT – MISSING PDF FILE . Hide once the page is Ready” _builder_version=”4.5.1″ text_text_color=”#b53d0a” background_color=”#fff347″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” custom_margin=”0px||||false|false” custom_padding=”10px|15px|10px|15px|false|false” animation_style=”bounce” border_radii=”on|10px|10px|10px|10px” disabled=”on” saved_tabs=”all”]<\/p>\n
[\/et_pb_text][et_pb_button button_text=”Refresh Your Page to see the Most Current Content” button_alignment=”center” admin_label=”Refresh Button: MAXIMUM ONE PER PAGE – a second instance WON’T WORK at atll” module_id=”#dhc_reload_btn” _builder_version=”4.6.5″ _module_preset=”default” custom_button=”on” button_text_size=”20px” button_bg_color=”#ffffff”][\/et_pb_button][et_pb_text admin_label=”Divider” _builder_version=”3.27.4″]<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.6.5″ header_3_font=”|700|||||||” header_3_text_color=”#c45800″ header_3_line_height=”1.4em” disabled=”on” locked=”off” inline_fonts=”Verdana”]<\/p>\n [\/et_pb_text][et_pb_text admin_label=”*Header + Text: Welcome” _builder_version=”4.9.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” custom_padding=”||0px|||” saved_tabs=”all”]<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.hipharp.com\/academy\/chat-replays\/” button_text=”See the Half Baked Feedback about These Videos in the March 29, 2021 Masterclass Chat” button_alignment=”center” disabled_on=”on|on|on” _builder_version=”4.9.2″ _module_preset=”default” custom_button=”on” button_text_size=”18px” disabled=”on”][\/et_pb_button][et_pb_text admin_label=”*Header + Text: Welcome” _builder_version=”4.9.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” custom_padding=”||0px|||” saved_tabs=”all”]<\/p>\n This is the page where you can view all the Final Beginning Project videos, images and text that members submitted.<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”off|off|off” admin_label=”Text: Homework Explanation” _builder_version=”4.9.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” saved_tabs=”all”]<\/p>\n The Final Beginning Project for “Baroque Flamenco Beyond the Page” was to use the principles from the class to create something and share it. Let go of everything that still isn\u2019t working for you in the piece,<\/strong> literally delete it from your version and focus on what truly works for you.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”Divider” _builder_version=”3.27.4″]<\/p>\n [\/et_pb_text][et_pb_toggle title=”Student’s Descriptions of their Homework & What they Need Coaching on (Click To Open)” open_toggle_text_color=”#b53d0a” open_toggle_background_color=”rgba(0,0,0,0)” closed_toggle_text_color=”#ffffff” closed_toggle_background_color=”#b53d0a” disabled_on=”on|on|on” admin_label=”Toggle: Student comments” _builder_version=”4.9.3″ title_text_color=”#b53d0a” title_level=”h2″ title_font=”|800|||||||” title_text_align=”left” title_font_size=”25px” closed_title_font=”|700|||||||” disabled=”on”]BEKOFF-Margie<\/strong><\/span><\/p>\n https:\/\/youtu.be\/b2A40qtfybM<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n I’m submitting a video recording of the song Shalom Aleichem which will be part of my final project. It’s the song to welcome the Sabbath. It’s special significance to me will be spoken in my final project. The song played straight is about 1.25 minutes. I want to extend it for several reasons, but the most important one is I love it and would like to play it for a longer time without just repeating it over and over. In this video, I didn’t start out playing it straight. I will do so in my final project before playing this “extended” version with improvisation. I can send you an .mp3 of it played straight if it will help you understand this submission. I’m playing it at a faster tempo than I normally would but I wanted to fit the whole thing into 90 seconds (plus a few!). It should be slower. I have to work a little on some levers which led to obvious hesitation for a couple of chords when I realized I was going for a natural and hadn’t flipped the lever! I announce the intro, melody and improvisations in this recording. That will not happen in the final project!!<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n Does the improvisation work? Am I chopping the song up too much? It invites improvisation! I would like to know what is working. I realize I’m not giving you much to work with….just a song. I’m still trying to decide on the “setting.” There will likely be candles, a glass of wine and a challah. BUT, I also like the idea of being outside at sundown! Weather permitting, I may set up outside.<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n When we talk about some kind of “show,” I envision this song as the opening. Shalom Aleichem means Peace Be With You. I do want to bring feelings of peace and community to people, and not just people of a particular religion.<\/p>\n <\/p>\n <\/p>\n BELL-Louise<\/strong><\/span><\/p>\n https:\/\/youtu.be\/OAx4hkWopEE<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n Half Baked recording based on the Vision Music Suite. I’ve played sections 1,2,3 & 5.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n Feedback appreciated, including on linking sections. If this becomes my final project can it go for longer please?!<\/p>\n Do you want feedback on your homework (this may mean that it gets shown during the chat) (see the note below about this choice)<\/strong><\/p>\n YES!<\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n BIEBER-Stefanie<\/strong><\/span><\/p>\n https:\/\/youtu.be\/W_wFIIRlc74<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is already my finished project, a farewell video for two friends of mine who both died of Covid 19 recently. Finally I decided to make an official farewell video taking the soundtrack of MY choice, the vocal version, to stop hiding. To me it seems to be the most personal way to say good bye.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n My main trouble is to be afraid of offering some musical outpour that is below my usual instrumental ability. Instead of following my impulse and offering my honest emotional momentum I tend to hide and accept to be injured by one of the most closest person, my husband. How can I develop more confidence?<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n The Video is too long, the singing is in the first half. Attach your homework in PDF or JPEG format here.<\/strong><\/p>\n Demon Pot Stefanie March 28 2021.pdf<\/a><\/p>\n Describe your image – if there\u2019s anything in particular you want to say about it to help others know what they\u2019re looking at, add that here.<\/strong><\/p>\n This is the ick pot belonging to the process of showing my vocal version officially.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n DAVIDSON-Joan<\/strong><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n Intended as a musical greeting for some friends who are having their wedding anniversary soon.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n I used zoom video to try to create an interesting backdrop. Not sure if the harp fading in and out worked or was annoying visually. <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong>ELDERKIN-Charlene<\/strong><\/span><\/p>\n https:\/\/youtu.be\/Cwq6Li2DBsQ<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n Stay Little Little Cindy – with story<\/p>\n Please watch the first 30 seconds for story intro, and then go to 2:35 for story ending.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n I bring the story to a conclusion and then repeat the first verse of the song. Is this working?<\/p>\n I could sing that verse and then end the story, and just add a couple “Little Cindy’s” at the end.<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n I took out the bridge from the quarter baked version and just kept everything simple and child-like.<\/p>\n Attach your homework in PDF or JPEG format here.<\/strong><\/p>\n 2021-03-28 Practices Charlene Elderkin.pdf<\/a><\/p>\n Describe your image – if there\u2019s anything in particular you want to say about it to help others know what they\u2019re looking at, add that here.<\/strong><\/p>\n Practices & Practice Weekends i have more free time to focus in on new arrangements, and hope to start practicing with others.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n FLEISSNER-Dimitra<\/strong><\/p>\n https:\/\/youtu.be\/alyih0C7sik<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is my half baked. The arrangement is built like this:<\/p>\n Intro The singing version is the same twice so you can just look at the first 90 seconds and it covers the first singing and the interlude. That’s all you need to see for feedback.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n I wasn\u2019t sure how to arrange the piece, since it only has one verse. When I play it for myself I usually play an instrumental version, then sing, then end with a different instrumental version. Here I chose to sing it twice, but am not sure if it\u2019s a good idea. What do you think?<\/p>\n If I leave the structure as it is in this video, I think I should play a different accompaniment for the second singing part.<\/p>\n The \u201cinterlude\u201d is just an instrumental version of the song. Improvising just didn\u2019t feel right here. Since it is a lullaby I thought it would be nice to hear the song again and the repeating also is a bit like rocking the baby to sleep. But again, I\u2019d like to hear your thoughts about this.<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n This is the translation of the German lyrics:<\/p>\n Dear little one, you can sleep now \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n HARTMANN-Laurie<\/strong><\/span><\/p>\n https:\/\/youtu.be\/T-EUJfG-Rnw<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n Half Baked<\/p>\n I’ve wanted to do something with this Song,”Winter Sky” because it describes something of my winter experience when I see the bare oak trees against the sky. TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n I was trying out not caring or thinking much about what I was doing. Is there anything else you want me to know about your video?<\/strong><\/p>\n I’ve shortened both the songs to make them fit under 90 seconds.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n HENLEY-Carol<\/strong><\/span><\/p>\n https:\/\/youtu.be\/vw7af6JLCEM<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is a condensed version of my project. \u00a0In the final project, I will play a little more of the slow part of I’ll Fly Away, and then at the end I will play the whole tune.<\/p>\n This tune is imbedded in a story, which will be a little longer in the final version, but not much. \u00a0It is mainly the tune that will be expanded.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n What I want coaching on is: \u00a01) the presentation of my story and how the story and music fit together. \u00a0So, partly, \u00a0I want a drama coach here. <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n INMAN-EBEL-Beverly<\/strong><\/span><\/p>\n https:\/\/youtu.be\/eosxu785IcA<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n DHC challenged me last time and asked me if I wanted to take a risk. Man, is this a risk. I sang a solo for the first time every. Want feedback on that. I can take the pain. I also told a very painful story that was a risk. I could not seem to play during the story because I had to live it as I told it. The singing is the beginning then I jump to the big mistake and never get to the resolution except for the change in rhythm.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n If possible, play to the end to hear the final transition in tone. I want feedback on singing but we can skip part of that. I tried to edit in iMovie and it would not load.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n JOCHUM-Verena<\/strong><\/span><\/p>\n https:\/\/youtu.be\/Ssf90kHUgdA<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n Currently I’m working on the Baroque flamenco and I play the cadenza in a shorter version in the video.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n There are things, which I want to play better. But what is your opinion? What is working in the cadenza and what can I improve? I want to get faster in letter N, but it doesn’t work. What can I do?<\/p>\n <\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong>JONES-Teddy<\/strong><\/span><\/p>\n https:\/\/youtu.be\/1yi5WcZyy4U<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This video is twice through the Blowing section of Cosita Latina.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n My goal here is to play the correct chords in the correct order for the correct number of measures. I also tried some of the variations you suggested. Mainly I am hoping for assurance that I have the basics in place.<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n Still trying to keep it all in my head and to keep going. A real stumble through!<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong>JOOSTEN-Lies<\/strong><\/span><\/p>\n https:\/\/youtu.be\/TcGntOH7iEQ<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n I am learning to integrate my voice while playing relaxation music . And move from talking to singing as well. normally i play and the yoga teacher would speak. TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n what is working and what is not working here?<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n i would normally do this in Dutch \ud83d\ude42<\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n LAPIDUS-Lynne<\/strong><\/span><\/p>\n https:\/\/youtu.be\/ThVJpB_pN0w<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is part of a story song. To cut out most of the story, please start at 55 seconds. I pick up 2\/3 through the song at the improv bridge. I also shortened the ending by doing 2 turnarounds instead of 3. That will get it down to 90 seconds.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n Aside from my slight hesitation “looking for” the final chord, I spent some time trying to figure out exactly when to start the gliss and how long it should be. Does it seem a natural ending to you? If not, how would you change it? Also, always love to know what is working<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n This was one of many, many songs in rotation that my mother practiced every day even though she had given up her singing career to get married. When I start to sing, I am applying to the harp the best version I can remember of the piano accompaniment she played. <\/p>\n <\/p>\n MAFFEY-Cherie<\/strong><\/span><\/p>\n https:\/\/youtu.be\/U3KXVXhtLuM<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is a tune called “Looking at a Rainbow through a dirty Window,” TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n I’ve struggled with the Strings of Passion but finally I remembered hearing this tune and wanted to have a go at playing it. \u00a0I used ideas from the blueprint for The Nightingale for the intro, \u00a0I altered the melody using both hands, and pivoting for the improv, and the 5 part arrangement. \u00a0Please tell me what is working .<\/p>\n Is there anything else you want me to know about your video?<\/strong><\/p>\n I wanted to play this tune but didn’t think I could. \u00a0After being in the Academy for nearly a year now I’ve learnt how to use the melody and expand \u00a0and improvise which meant I could at least have a go. \u00a0On the final project I would like to try out some more improvisation.<\/p>\n <\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong><\/p>\n MCHALE-Chari<\/strong><\/span><\/p>\n https:\/\/youtu.be\/2vMghu9eV4g<\/a><\/p>\n Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.<\/strong><\/p>\n This is the story of the Legend of the Pussy Willow with images, narration and a short harp riff. Definitely half-baked.<\/p>\n TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.<\/strong><\/p>\n Please just tell me what is working. Thanks!<\/p>\n <\/p>\n
\nCURRENT STATUS: <\/strong>THE VIDEO & AUDIO for this chat are posted below, and the PDF DHC shared in the chat is linked below –\u00a0but the<\/strong>\u00a0PDF overview from Margi & Sally will likely take another 24 hour to load. <\/strong>(CDS 07\/28\/20 – 12:00 PM EST)<\/p>\n
\nOnce upon a time,\u00a0 during one of the severe pandemics in the 21st century, when all people were forced to stay at home and could not meet and play music together, and international consortium of daring harp players … (to be continued)<\/b><\/h3>\n
WELCOME TO THE DISPLAY PAGE FOR<\/h3>\n
Baroque Flamenco Beyond the Page 2021 – [Due June] – Final Beginning Projects<\/span><\/h3>\n
\n
\nI offered to record music for the funeral, which will be broadcasted as live stream.
\nI chose to improvise with the Swedish folk tune “Vem kan segla for utan wind” because it was a tune that we often sang together when we met during summertime, and the lyrics were a few of my first Swedish words I learnt.
\nWhen I listened to the recording, I had the impulse of adding some singing to it, not the original tune but a very free and lamenting version with dissonances to express the grief I feel.
\nWhen I played this version to my husband he said he did not like it at all, because it was not clean and too many dissonances, not the beauty of the tune, too emotional, almost embarrassing.
\nTo be honest I was really injured by these words.
\nI then sent both versions to the family to let them choose, and they took the instrumental version, which did not make it better for me.
\nI shared both versions in the Facebook group and was astonished about the completely different reactions. At first I felt much better, but then something weird happened: the ick voices arouse! All the positive comments were nothing but the attempt to be kind to me and not really honest. So embarrassed about these thoughts!<\/p>\n
\nIt is set to public view because it should be findable for all the relatives even if they don’t have the link.<\/p>\n
\nI think the file was very large in spite of being less than 90 seconds in length.
\nThe room I was in was a bit cold so my fingers were not working very well!<\/p>\n
\nI wrote out a practice plan
\nThe Pachelbel chord sequence in F is to get me used to playing in that key.
\nI record what i did in my practice journal, along with any notes of what needs work.<\/p>\n
\nIn the end I chose neither You Have a Voice nor my oriental song. The feedback you gave me about my singing encouraged me to use this song for my project, because here the \u201csoft\u201d way of singing really “fits”.
\nThis is a very personal song for me and sharing it is way out of my comfort zone. It\u2019s a lullaby I wrote for my inner child, called “F\u00fcr meine Kleine”, meaning “For my Little One”.<\/p>\n
\nSinging the song
\nInstrumental version of the song
\nSinging the song
\nEnding<\/p>\n
\nYou aren\u2019t alone anymore
\nI am with you and protect you
\nYou never have to be lonely again
\nI am with you and take care of you
\nI am here for you<\/p>\n
\nI also took a little poem and created a little song, like an old English folk song to sing before and after it. The little song sounds happy, compared to the feeling of the Winter Sky song which is a melancholy filling in this sandwich.<\/p>\n
\nI had just come from a long hike, looking at Oak trees and just sang and played without trying to contrive anything.
\nIn the middle I do an a cappella section and I think I was trying to convey something there and to me it looks unnatural and I look tense to myself.Does it to you, too?
\nMy question is, how does this “not trying” attempt come across? Also the harp seems really soft to me.<\/p>\n
\nAnd 2) Is there anything I can do to spice up the tune at the end? \u00a0I decided I would need a third hand to provide a drum beat, so I’ve abandoned that idea.<\/p>\n\n
\n2. noodling is still a challenge for me. I wanted all to hear the shorter version to see if you could tell I was transitioning from sadness to being ok.<\/li>\n<\/ol>\n
\nthis is a very first attempt, just came up with this melody and text so bear with me<\/p>\n
\nP.S. She frequently used glisses on the keyboard \ud83d\ude42 \u00a0!!<\/p>\n
\nwritten by Scottish musical Calum Stewart. \u00a0I first heard this tune at my last live concert before the Covid outbreak. \u00a0Rachel Hair & Jon Jappy were doing a tour around NZ at the time.
\nThere is a bellbird singing towards the end of the tune which I liked as this \u00a0is a tune of Hope, and even with my mistakes the bellbird must have thought it sounded like music.<\/p>\n