What Motivates Deborah Henson-Conant to Keep Inspiring Others?

What Motivates Deborah Henson-Conant to Keep Inspiring Others?

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah reflects on her deep-rooted passion for igniting the spark of creativity and inspiring others and how she finds great fulfillment in witnessing the Academy members grow, evolve, and find their unique voices through the harp.

Check out Deborah’s answer to the question: What Motivates You to Keep Inspiring Others?

Watch the video above or read the transcript of the interview below.

What Motivates You to Keep Inspiring Others?

It’s so rewarding when I hear the results. When someone says something like, someone said last week, in the middle of a chat, she said, I’m, I’m experiencing this freedom. She said, I went to this. I can’t remember with a yoga class or something like that. And I just started playing, and I was just able to play for two hours, I was freaking improvising. And she’s, I never thought I could do that. And I was thinking about, I always knew you could do that. And then and then I know another it to me, it’s so obvious that people have this capability. And it’s just, it’s right there. I can see it from the beginning.

And I remember somebody said to me, Cherie said, recently, she was like, I came here, I wanted to be able to sing and play the harp, and I thought I would never be able to do that. And I just, you know, presented this project, and I’m singing, and I’m playing and you know, we watched it, and it was wonderful. And I was like, Are you? Are you sure that you had never did this before? And she was like, No, I never did this before. And that is just so, it’s so beautiful. I mean, I feel honored, that I’m the one who gets to see it. It’s like, you know, getting to see, you know, a beautiful red bird or you know, something, something magnificent that nobody else has seen yet or a rainbow, you know, and you’re the first to see it.

And I remember someone said, it was through the the ambient improv project that we created. And that was all about coming up with an idea to practice, and to practice it over and over and over again. And that comes out of this principle that I have, that you can practice to get something to make something happen. But you can also take on a practice and let it get to you. And you know, you don’t know where, where it’s going to take you to. So that’s what this project was about. And this was Carol, and she. And so the first week, she was like, Well, you know, it was just a five-minute exercise five minute practice. She, she told me what it was. And she said, I just did it. And you know, I felt like I grounded more. And she then the next week, she was like, Yeah, I got more comfortable. And then the third week, she was like, something amazing happened for like this split second. I felt like I could do something. And I was like, You mean, like the feeling of mastery? And she was like, yes. So for a split second, this feeling of mastery, like I, I’m just doing it, I’m not trying to do it. I’m doing it. And then the next week, she came back and she said, The most amazing thing happened, I was doing it and I just started singing.

And it’s been so fun. And that’s one of the reasons why it is so important to me, that people sign up for at least a year. Because this is not about, hey, I’m going to teach you to do this thing I can teach you to do this thing. But the magnificence, the magic is when you do it, and you start discovering you start finding new things, not things I’m showing you, but what you’re discovering.

And that’s what happens every week in the academy. And that’s why I always ask, “What did you discover this week?” And then people share it, and others learn from their sharing and that’s why it’s so rich. It’s not just you alone. It’s not just you trying to get something it’s you discovering with other people, sharing that with other people, and what you share then opens that up even more.

If you play the harp:

In this interview, Deborah Henson-Conant described where her motivation comes from – a place of genuine love for music and a profound appreciation for the transformative power it holds. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

How Does Deborah Henson-Conant Help Students Overcome the Feeling of Being Stuck?

How Does Deborah Henson-Conant Help Students Overcome the Feeling of Being Stuck?

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah emphasizes that overcoming the feeling of being stuck is a common challenge among musicians. In the Academy, she employs various strategies and resources to empower students and help them break through creative blocks.

Check out Deborah’s answer to the question: How Do You Help Students Overcome the Feeling of Being Stuck?

Watch the video above or read the transcript of the interview below.

How Do You Help Students Overcome the Feeling of Being Stuck?

A lot of people come to the Academy because they’re feeling stuck. And a lot of them read the motto connection, not perfection. And they’re like, Yes, that’s what I want.

Because so many of us, me included, are badgered by this perfectionism, and the harp, because it’s this intricate instrument. And because we’ve seen so many amazing harpists, who can do all these things, and it looks like magic. And because there’s all kinds of little things that can be crazy, making like, Oh, I’m making a buzz, or I’m doing you know, whatever. And because we worry about playing for other harp players, all those things can make it almost impossible to play with any kind of freedom.

And I remember when I was first starting, I could fake music on the harp. I mean, anyone can fake music on the harp, because literally, you can play one note, I am now faking music on the harp, you know, it’s I mean, it’s amazing instrument in some ways, it’s the easiest instrument to play.

But I was like, no, no, no, I’m not going to do that. I am going to be a real harp player. And I’m going to impress myself and prove myself that I can really do this. And literally, like I had the idea that I was not a real musician, and the way that I would be able to prove to myself that I was a real musician, if as if I could actually play classical music and make it sound good.

And I remember struggling so much. And I remember literally, literally throwing myself down on the floor and sobbing and saying, “Why do I have to work twice as hard to be half as good as anybody else?” All the time, I could have played and sung, because that was what was natural for me. What was natural for me – so many of us cannot see what is natural for us.

And I am going to talk about the one person who was in the academy. And one day I got an email from her. And she was like, “Should I just give up because I’m just not, I’m just not gonna get this?” And I wrote back and I don’t remember what I said, but I was like, “I have it that you use are seeing yourself this way. But you’re actually this way, if you can just let yourself respect who you are.” She was just funny. She is this funny, incredibly personable person who makes these wonderful videos that just make you love her. You’re just smiling the whole time. But all she could see was that it wasn’t like this, or it wasn’t like that. And that’s not just her. I am guilty of that myself. It what it all she could see was what it wasn’t. And once we were able to get through that. And she was able to trust that I was like, “No, you are, you are this wonderful, wonderful thing, can we please have this wonderful thing.”

And then she’s just started sharing more and more of these wonderful funny. Just, it just keeps going. It just it’s like this fountain of creativity. And that’s … she didn’t get better. She didn’t have to get better, there was nothing wrong with who she was, she was just trying to do something that she wasn’t ready to do, instead of actually sharing who she already is. This is both the hardest and the easiest thing to do.

And I hear over and over again in the academy when it’s almost like this light bulb pops in people’s heads and they’re like, simple is beautiful. And when they’re talking about it, it might not even sound simple to you. It’s just that they’re not beating themselves up with trying to do something that just is too complicated. It’s not better, it’s not better, because it’s complicated. I had it it was better because it was complicated. And it was you know, nobody knew what I was doing and they were gonna be amazing. And what’s what I’m teaching, and what I’m learning from everyone is how much courage it takes to actually be ourselves and how the harp can help us do that. It gives us the space to think. It gives us the space to feel.

And what I’m doing here right now is very, very simple. And even though it may look like I’m talking and playing at the same time, I’m not. I’m talking and then I’m playing and then I’m talking and then I’m playing, I could do it with singing as well. So a lot of what we think is complicated when we break it down, and we can do it simply and we can ground in it, and we can start to make it our own. And we can do it over and over until it starts to resonate instead of beating ourselves up because we can’t do it, then, we start to be able to express ourselves.

And that is all I want. To hear that, to see that to experience that. That, to me, is the most rich performance, the most rewarding performance I could ever see. And that’s what I get to see every single week in the academy.

If you play the harp:

In this interview, Deborah ensured that members will find the inspiration and support they need to move beyond any creative obstacles they may encounter inside Hip Harp Academy. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

What Does Live Coaching with Deborah Henson-Conant Look Like?

What Does Live Coaching with Deborah Henson-Conant Look Like?

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah shows the different ways of live coaching that members can expect inside Hip Harp Academy.

Check out Deborah’s answer to the question: What does live coaching with Deborah Henson-Conant look like?

Watch the video above or read the transcript of the interview below.

What does live coaching with Deborah Henson-Conant look like?

So what does live coaching look like? And it can look two different ways in Hip Harp Academy. It can look as though you’ve made a video in advance, and then you’ve shared it, and I’m coaching in the moment. Or sometimes it can mean you come with something like I’m trying to figure out how to do this. And then I say, Well, how are you doing that? Oh, okay, well, you could do this instead, or that’s great. Just keep going with that. That’s perfect. Or oh, yeah, that’s great. Just do that. But now take it up a step and take us up a step. So it can look either way.

When we have the videos, we all watch the video and we’re watching specifically to find out what we can discover about freedom. We’re looking for what is working, we’re looking for how that person used the principles that I’m teaching. And then I am coaching to say, A, what do you what do you want to do with this, because I’m not here to critique you. And I’m not here to teach you how to be like me, I’m here to help guide you to be like you like to be the most like you you can possibly be. So once I know what you want to do and what you want to express, then I can come up with ideas to help you do that, or help you do it more simply or to show you how you are already doing it, that you can just keep doing more of.

So my coaching, you know, I mean, I I’ve had years and years of experience. As an adult, I came to the harp as an adult, and not able to read music. So I had all the experience of having to figure out how to improvise quickly because as soon as I started playing the harp, I literally had to make a living with it. So I had to figure out how to make it sound like I could play. I have all of that experience.

And then as I started playing with other people, I’ve just had so many opportunities, the harp has given me so many opportunities, from you know, getting to play with Bobby McFerrin onstage to improvise with him to get into play with the Boston Pops to getting to create my own shows. And the beauty of that is I’ve had all these problems to solve and all these moments of like, oh, I don’t want to do, wait, okay. And not just all the ideas that I came up with. But all the amazing coaches that I have had the opportunity to work with, I get to bring that to all of my coaching sessions.

So the coaching sessions when you’re in a coaching session with me, you are in a coaching session with all the amazing coaches that I have ever worked with. And the whole point of that is for you to be able to be more and more deeply and in more rich way and a more free way to be you.

If you play the harp:

In this interview, Deborah Henson-Conant let us imagine how it feels like to be on a live coaching session inside Hip Harp Academy. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

Deborah Henson-Conant Explains What a Typical Class is like in the Hip Harp Academy

Deborah Henson-Conant Explains What a Typical Class is like in the Hip Harp Academy

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah explains what it looks like to be part of the classes of Hip Harp Academy – from the different quarters to the weekly ‘chats’ and ‘office hours’.

Check out Deborah’s answer to the question: What does a typical class look like in the Hip Harp Academy?

Watch the video above or read the transcript of the interview below.

What does a typical class look like in the Hip Harp Academy?

SUMMARY OF THE VIDEO

THE CURRICULUM

The Hip Harp Academy’s curriculum is divided into four quarters, each focusing on a different aspect of music and creativity. The first quarter, “Strings of Passion,” explores principles guiding creative expression. The second, “Grounded Expansion,” emphasizes grounding techniques like Rondo forms to facilitate improvisation. The third, “The Power of Pattern,” delves into blues music and its repetitive structures. The final quarter, “Structure is Freedom,” teaches a universal compositional structure applicable across various musical genres.

WEEKLY SESSIONS

Weekly sessions, termed “Learning Labs,” involve interactive teaching, sharing of videos by members, and constructive feedback in a supportive environment. Additionally, there are classes, catch-up coaching sessions, and office hours for personalized learning. Special workshops and projects, like the Ambient Improv Exploration Project, offer diverse learning experiences tailored to members’ interests and goals. The academy accommodates various learning styles, encouraging exploration and growth within a vibrant community of musicians.

Full Transcript of the Video (above)

What does a typical class look like in the Hip Harp Academy?

So first of all, we do the academy in quarters, and there are four quarters. And there’s a foundational way of thinking in each quarter, but it’s real, really all focusing towards being grounded and being able to expand from being grounded.

So the very first quarter of the year is called Strings of Passion. And it’s the seven principles that take you from creative impulse to creative expression.

The second quarter of the year is called Grounded Expansion. And it focuses on different ways of grounding, meet, literally musically grounding, so that you can expand like there are actual musical structures that have been used since Mozart. And before that, specifically grounded, they’re called Rondo forms. And they’re where you play a melody and then you expand go away, and then you come back and you play that melody and you go away. And they are a really powerful, great form. Especially when you’re first learning to improvise.

That’s how I first learned to improvise. And I learned on a piece called which I now called Baroque Flamenco, but it was a little minuet by John Rocker. So that had a melody … [Deborah plays the harp] … So that was this beautiful melody I could ground in and that I loved. And then I discovered, again, because I’m a composer, I discovered that the alternate to this little melody had what was called a descending baseline … [Deborah plays the harp] … It just had this structure. And I found that if I played that baseline, I could improvise … [Deborah plays the harp] … And since I was doing this, when I was first learning, I would do that until I got lost, and then it would come back and play the melody again. … [Deborah plays the harp] … And then I would take another adventure, I try it again. And I kept using this piece my whole life until it became this sort of iconic piece, when I kept, I kept taking this secondary part, I started, I started adding other things to it, I started adding rhythms, but always coming back to this grounding place. So that piece is the epitome. Well, not the pieces are a great example of the idea of grounded expansion. And that’s what we base the second quarter on doesn’t have to be that piece, you you kind of get the sense with that piece. But then you realize you can do this with any piece of music, you can use it with any piece you already have you grounded in what you already are comfortable with, you expand into improvisation, you come back and ground in what you’re comfortable in, and then you expand. So that’s the second quarter.

The third quarter is called the Power of Pattern. And that quarter, we focus on blues, because blues is a really powerful form for having a pattern, it has a 12 bar pattern, which I’m not going to go into right now. But it also has this really great scale that allow and it’s got a beautiful pattern because your two hands do the same thing. And when you do that as you add styling to it, you can use the power of that pattern to once again, ground you so then you can expand. And in that quarter we also learn really cool things like how you can use the the, you know the capabilities of the harp to get more self expression. Now, not everybody wants to do the blues, there are many people in the academy who are only playing therapeutic music, but they can still use the power of pattern and even the power of blues. Like here’s another example that’s still using the same patterns Believe it or not as the other one and that can be done and even slow down even more to be used in a therapeutic setting. So that quarter, the power of pattern opens up the power of pattern, that’s why it’s called that.

And then the last quarter of the year is called Structure is Freedom. Now, every single one of the quarters has a compositional structure in it. Like the blues is a compositional structure, like the Rondo is a compositional structure. And in the quarter structure is freedom, we use a structure that is really amazing because it exists. Through Time, I noticed it when I was back, I was studying Mozart and I was studying, you know, Beethoven, then I was studying jazz, and I was like, wait a minute, there’s a structure at the heart of every one of these, that is almost exactly the same. And so I distilled it. And that’s what I teach that quarter and, and what happens as you go through the four quarters is that it starts developing your repertoire, because each one of these structures, and what you’re learning in the quarter opens up not a single piece of music, but it opens up a type of creating music, which could open up composition to you if that’s where you wanted to go. But I’m teaching improvisation. So it opens up improvisation. So through the year, and this is why there are so many people in the academy who have been there for years and years.

Because the first quarter the first time through, you’re just like, Oh, I’m just kind of holding on and you’re learning it and you build your repertoire a little bit. Second time you build it more. And by the third or fourth time you go. And some people do this the first time you start to realize, wait a minute, I can use this in everything. I could build a whole repertoire from this. And I had someone just say to me the other day, she said, I just improvised for two hours. And it was glorious. And it was such a wonderful thing to hear that all these things that I discovered through my lifetime that I’m able to share them in the academy so that other people can start expressing themselves with these structures, these patterns this grounded expansions, these ideas.

That is that is I mean, that is so exciting. I every day when I get done with a chat, you know, every week we have a chat. A masterclass a learning lab is the same thing. And when I come off, I’m just like, This is what I always wanted to do. I always wanted to talk about these ideas with people, I always wanted to see people expanding into these ideas. And that is what is happening over the year.

So let me tell you what happens each week. I’ll tell you what happens on Mondays. So on Mondays, we have what was originally called a Chat. Then we started calling it a masterclass. Now we call it a Learning Lab, as it got more and more interactive. And it always starts with a snippet. And then it may start with a little bit of teaching or the teaching may go completely to watching the share the things that people have shared and the Academy members share through video. And that might sound really scary, like, oh, I don’t want to do that. But you begin to realize that it is such a safe environment where you get to be shown what is working, and what what you are doing. That is that is really working. And so people share through videos, but everybody learns.

So as we watch those videos, I’m telling everybody, all the members, what are we doing here? First of all, we’re closing down any kind of criticism, because if we’re thinking critically about other people, we’re just training ourselves to think critically about ourselves. And that is not going to give us freedom. So we’re using each thing that someone shares, we’re using it as an opportunity to really find something to love to look at what they’re showing us. That is where we can discover something, we can discover something that we can then use in our own playing. So we’re watching each other to become more open, as well as to find. Learn how to enjoy everything that everyone does. And being able to be in that joyful community. And know that whatever you share, you’re going to find out stuff that’s great about it that you never knew before you shared it. So that’s that’s a big part of it as well.

And then I’m always asking people to share what did you discover? So somebody came into a chat out. She said, I just got here at the end, when everybody was just sharing what they learned. And she said, and I learned so much in two minutes. So every single part of that of those chats, masterclasses Learning Labs is all about a different kind of learning.

Now, what are you learning, I mean, there’s also classes, those are already pre recorded. And so the first time someone goes, the first year that somebody comes, they’re often going through those classes, they go through it once, or they go through twice, or they go, you know, take the first couple chapters have it, you know, modules of it, until they kind of get their sea legs. And so there is that learning portion, if you just want to go and you want to have specific things to learn, you can do that. But a lot of the learning in terms of discovery and expansion, it happens in the chats, there are two chaps on Mondays, because the Academy membership is in a lot in the US and in Europe, and a lot also in Australia, New Zealand. And so we have it for those two different time zones. There are two other times when there are live times in the academy, and one is catch-up coaching. And that’s where Sally, who is a longtime member, is just there to answer questions. And I’m not even there. And so it’s a time when you get to be where the teachers, the teacher is not there. And you can, you know, if you’re like, Well, I can’t even figure out how to, like get into the classroom, it’s a great time to be able to actually ask those things.

And then there is my favorite, which is Office Hours. And I come with no agenda. And sometimes there’s five people, sometimes there’s 18 people, and you just ask questions, and we have no idea where it’s going to go. And that’s just an open learning time. We also have special learning time, sometimes we have special guests, like we had this wonderful author called Angela McKinney, who has just written a book called untangle. She came and did a workshop just for us. And we’ve had a singing teacher come in and do a workshop just for us. And then sometimes I will do sort of retreats, longer workshops, like the lead sheet boot camps, or we also have a hands on harmony, where we kind of go through the whole realm of harmony, we do those things two or three times a year as well.

So what I love about the academy, what I would love is being someone who was part of it is you can learn in whatever way you want. There are people who come to every single chat, they come to the morning chat, they come to the afternoon chat, they come to the office hours, they come to the catch up coaching. And there are some people who do nothing else but that they don’t do their homework. And it’s fine, because they don’t have to, they’re still learning. That’s all that matters.

There are some people who never come to the chat. And all they do is they go in, they learn the specific things from the Academy. And, and there are some people who do a combination, and it’s built to support all of that. So that is how it works. And it is constantly expanding as the as the members have ideas, or as I have ideas of what to teach.

So for example, this year, we came up with something called the Ambient Iimprov Exploration Project. And it was initially for people in the academy who are working as therapeutic musicians, and also those who wanted to explore more about meditation with the instrument. And instead of me teaching something, we created a structure together, in which we could all explore some idea that we each came up with. And then week by week, as each person was practicing, they were taking that on as a practice, they began sharing what they experienced. And that became an incredibly rich class. It was like an add-on class that was so full of experience and so full of so many different ways of learning that then each person who had found their discovery, they shared it with others.

So that’s another example of why having this powerful community learning is so amazingly rich.

If you play the harp:

In this interview, Deborah Henson-Conant took us inside Hip Harp Academy – how the quarters’ theme works, how the members interact and learn from one another, and how it aligns with her goal of nurturing and supporting harpists. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

Deborah Henson-Conant Shares Who is Hip Harp Academy for

Deborah Henson-Conant Shares Who is Hip Harp Academy for

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah shares who the Hip Harp Academy is for and how it can help their own self-expression. It is in line with her mission to support harpists of all levels.

Check out Deborah’s answer to the question: Who is the Hip Harp Academy For?

Watch the video above or read the transcript of the interview below.

Who is the Hip Harp Academy For?

Who’s the Hip Harp Academy for? It is for people who want to express themselves using the harp as a creative platform. So it is not for people who want to learn to do the perfect thing with their hands and stuff like that. That’s just not what I’m about. I am all about seeing this instrument as this magnificent tool for self -expression and as a magnificent extension of our own body. One of the things that I really love about the harp is that when you imagine that your hands are silent, your hands can’t speak or sing, the harp is also silent until, until they come together.

And that is the foundation of realizing that this is all about self-expression. It’s not about trying to do something right. And that’s why the motto of the Academy is connection, not perfection. Therefore the Academy is for impassioned harpers and impassioned people with a harp who want to express themselves.

And it has nothing to do with what your technical level is. Because people are learning principles and many people who have played the harp their whole life are stuck because they’ve got a classical mind.

They use the principles to become free from that classical mind. There are many other people in the Academy who are playing the harp after a whole lifetime of doing something completely different. And they’re using the principles to ground in the first connection with the instrument. And so you would think with a big spectrum, people who are, I call fledgling players, people who can play the harp. play, but they, you know, they’ve only been doing it a year or two, up to people who have been doing it their whole lives.

And you’d think, like, how do those people learn together? And you think like, oh, I see, maybe the people who’ve been doing it a long time, they’re kind of showing the others, but that’s not at all what happens. Often it is the people who are just getting started who don’t have a lot of preconceptions who are able to be freer and to show that freedom in their playing to everybody else. And that, when I say show their freedom, everyone in the Academy is looking for that freedom and that self-expression.

And part of the Academy is learning from me, but a big part of the Academy is learning from each other, and not by others teaching each other, but by others sharing, vulnerably in a safe environment, what they’re working on, what they’re trying to do, and then being guided by what is working. I’m not going to sit there and critique what you’re doing. I’m never going to do that. That’s just not interesting to me. What’s interesting to me is to look and see what are you doing that you don’t know that you’re doing?

What is working that you don’t even know it’s working? What are you doing naturally that you’re going to probably throw away unless I point it out to you and say, look, that’s amazing. That is you and it’s nobody else and that is the foundation of how you can now express yourself with this instrument as a partner, as a platform, as a sounding board, as part of your resonance.

So who is the Academy for? It is for people who want to express themselves with an instrument.

If you play the harp:
In this interview, Deborah Henson-Conant shared who is the Hip Harp Academy for, how the members who want to learn can benefit from being a part of the community, and her goal for all of the members – to nurture and support harpists. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

Deborah Henson-Conant Explains What a “Snippet” Is

Deborah Henson-Conant Explains What a “Snippet” Is

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah explains one of the most used words in Hip Harp Academy – “snippet”. She shares how it became a regular segment of the Academy, as part of her mission to support harpists of all levels.

Check out Deborah’s answer to the question: What is a “Snippet”?

Watch the video above or read the transcript of the interview below.

What is a “Snippet”?

So what is a snippet? A snippet is a little bit of compositional DNA and as a composer, it’s just I’ve used these all my life. I’ve discovered them since I was a little kid and then I put them together.

But snippets happened because one day one of the students said, can you just tell us I want to just have a little accompaniment pattern? Can you show me what it might be? And so I showed her and she was like, cool, and I taught everybody how to play it. And then the next week she said, can I have another one of those? And I was like, OK, here’s another one. And then she said, can I have another one of those snippets? And I was like, OK, here’s another.

And it started being part of each week. And I would always do it at the beginning of the lesson so that people could literally play these as we were going through the chat because there’s something to be said for playing when you’re not thinking as well as playing when you’re thinking.

So a snippet is something like this … [plays a snippet in the harp] … It might be something as simple as … [plays a snippet in the harp] … And then those are actually three different things together. It’s a base note. It’s a shape of a sixth. And then I move that shape up one step. So a lot of the snippets have to do with learning shapes. So you play a base note, you play one shape and you move it up a step. And now the harps are ringing and you play a melody, meaning just notes together.

And part of what I’m always trying to teach is the fundamentals of music, the structures, the snippets, and always pointing to base accompaniment and melody, the three roles, so that we learn to improvise and improvise freely. And that’s been one of the amazing things to hear members of the Academy talk about, to have them talk about that freedom that they’re experiencing through learning this way. And it’s such a fun thing because it’s something that came not from me initially, but from the members asking for something.

If you play the harp:

In this informative interview, Deborah Henson-Conant explains what a snippet is and how it works in the Hip Harp Academy – where it started as requested by member harpists. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

Why Did Deborah Henson-Conant Create Hip Harp Academy The Way She Did?

Why Did Deborah Henson-Conant Create Hip Harp Academy The Way She Did?

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah opens up about the reason for creating the Hip Harp Academy, the way it is designed, how her experience affected it, and her mission to support harpists of all levels.

Check out Deborah’s answer to the question: Why Did You Create Hip Harp Academy The Way You Did?

Watch the video above or read the transcript of the interview below.

Why Did You Create Hip Harp Academy The Way You Did?

I wanted to build it so that there could be a group of people. People were learning from each other. People were safe and they were able to share and people could learn from that sharing. And that’s why I built it the way that I did.

One of the reasons that I built the Academy the way that I did was because of all the ways that I have learned, all the different communities that I’ve learned in, and being able to bring all the different ways of learning from those communities.

Like when I worked with my teacher, Tony, it was one-on-one. I got to have real physical contact. When I was in the new opera and musical theater initiative, I learned what it was like to learn in a group and to be able to give safe feedback. And for the person who had shared something vulnerable to be able to control that feedback rather than people just throwing stuff at them. So all my experiences in learning, I brought them to Hip Harp Academy.

And then what started happening is that students started asking for specific things like these snippets that I teach every week. And these specific things that people started asking for have become a real foundation of the whole Academy, along with what I brought.

So it really has been this community experience of learning how to learn.

If you play the harp:

In this interview, Deborah Henson-Conant shares the structure of how she designed Hip Harp Academy – to nurture and support harpists. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

What Inspired Deborah Henson-Conant to Create Hip Harp Academy?

What Inspired Deborah Henson-Conant to Create Hip Harp Academy?

Welcome to a one-on-one interview with Grammy-nominated harpist Deborah Henson-Conant, the mastermind behind “Hip Harp Academy” – an online academy where harp enthusiasts come together to learn, inspire, and grow in their musical journey.

In this exclusive interview, Deborah opens up about her journey in creating the Hip Harp Academy, shedding light on its foundation, unique features, and her mission to support harpists of all levels.

Check out Deborah’s answer to the question: What Inspired You To Create the Hip Harp Academy?

Watch the video above or read the transcript of the interview below.

What Inspired You to Create the Hip Harp Academy?

What inspired me to create the academy was the opportunity to be able to pass on what I’ve learned, and at the same time to be learning more, because as I share with other people who are learning for the first time, and as I’m sharing the stuff that’s most important to me, which is how to break things down how to do them, simply, then I actually get deeper into what, what I’m learning as well.

And I’ve always loved group learning situations. I think it’s partly because when I was a kid, I was in tiny, tiny schools where there were more than one class together. And so I got to watch what other people were learning. And I often found that watching somebody else learn was much more powerful than having somebody you know, telling me how to learn. And then when, and then when I started working with my teacher, Tony, I had the same experience because we were always in a group experience.

And so I got to watch other people learning. And I often learned more from watching other people learning. And I often learned more from the feedback that he gave to others than the feedback he gave to me, in part because I would be so nervous when he was giving feedback to me. And so I actually started realizing that learning with others was my way to learn.

So even when I went for private lessons with Tony, I would take a buddy with me, and we would go back and forth and learn. I really so so, so deeply believe in learning in a community, and to be able to create that community myself and to be able to pass on what’s important to me. That is why I created Hip Harp Academy.

If you play the harp:

In the interview video, Deborah shared the heartfelt inspiration behind the creation of the Hip Harp Academy. To see, other interview videos of Deborah about the Hip Harp Academy, go to this YouTube video playlist.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

I invite YOU to join this powerful, supportive, creative community.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

Hip Harp Academy: How’s the Experience According to Carol Booth

Hip Harp Academy: How’s the Experience According to Carol Booth

Have you ever wondered how it is to be a member of the Hip Harp Academy by Deborah Henson-Conant?

We have good news for you. We asked Carol Booth, a member of the Hip Harp Academy to share how it feels to be part of the academy and how it helped her creative self-expression.

Get to know Hip Harp Academy from the inside by watching  Carol’s video interview below.

Transcipt

For me, when I started, I had to pick, I think I came in a summer harp jam. It was in COVID and I was going to be bereft if you weren’t keeping doing hip -hop. So I came in a summer harp jam and I had to pick one of the classes and go through it, you know, properly, because that gave me something to hang on to.

It’s something I felt I was able to do. I think it was whatever it was at that stage at the main class. So I did that properly, most of it. And then I realised you don’t have to do all that. But starting by doing one of the classes and, you know, ticking off that I’d done it was helpful for me.

I mean, the very first piece of homework I did, I think, was a drawing. I had no concept of what that had to do with harp. But I got it after I did the homework. And I’m, you know, being a goal -driven oriented sort of A -type personality, putting in the homework helped me feel like I was getting something out of it.

And I was blown away by how kind people are with their feedback, you know, and how helpful and how things I didn’t think would be useful have been incredibly useful. Like that homework I now look back and realise was about the pattern of an introduction, a melody, a cadenza or an improv, and then back to the melody and then to an ending.

Now it’s in my head, more or less, I can play it like I can do that in improv anytime I did the picture. It sticks in my head. That’s what you do. So when I’m playing out in hospital, and I’m out of my depths and floundering, I remember that pattern.

And so the idea that people are going to pick out what actually works is really helpful. The other thing was that when I got a harp buddy, that pushed us both along. So it being in the same moderately the same time zone, she’s in New Zealand, and us being moderately the same level, I went out and bought an amp because she had the amp and my amp’s beautiful.

In the interview above, Carol shared the lovely experience she had when she joined the Hip Harp Academy.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

Like Carol, are you’re looking for more confidence, creativity support and gaining freedom from the notes on the music sheet? Click the button below and join the Hip Harp Academy.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

HipHarpAcademy.com Presents a

FREE WEBINAR FOR HARP PLAYERS!

 Deborah Henson-Conant’s

“Blues for Meditation Harp-Style”

Sat. Mar. 31 at 2pm EDT

Hip Harp Academy: How’s the Experience According to Bonnie Berk

Hip Harp Academy: How’s the Experience According to Bonnie Berk

Have you ever wondered how it is to be a member of the Hip Harp Academy by Deborah Henson-Conant?

We have good news for you. We asked Bonnie Berk, a member of the Hip Harp Academy to share how it feels to be part of the academy and how it helped her creative self-expression.

Get to know Hip Harp Academy from the inside by watching  Bonnie’s video interview above.

I credit the Academy for giving me not only the patterns, but also the confidence that I could just sit there and play and, play, and it would still be pleasant to hear. And I will tell you too, at the end of the workshop, a young woman came up to me and she said, “I’m getting married in the fall and I would love for you to be at my wedding, to play at me wedding.”

And ordinarily, I wouldn’t have never, because I don’t play a lot of recognizable tunes, and I would never have committed to that. And I just thought, you know what? If she liked what I did, yeah, I’ll play at her wedding. So I told my husband and he said, “Oh my gosh, you would have never, ever done that before.” And, I said yeah. I really feel like this whole experience of being in the academy has given me what I need to continue going forward in a positive direction.

Bonnie Berk

In this interview, Bonnie shared the lovely experience she had when she joined the Hip Harp Academy.

By offering a community-driven and inclusive platform for harpists at every stage, the Hip Harp Academy continues to pave the way for musical growth, self-expression, and meaningful connections.

So, if you're looking for more confidence, creativity support and gaining freedom from the notes on the page click the button below and join the Hip Harp Academy.

Deborah Henson-Conant & Hip Harp Academy Present

HIP HARP ACADEMY SPRING QUARTER: GROUNDED EXPANSION$400 OFF THRU MIDNIGHT APRIL 29

BOOKING:

For virtual events, speaking, residencies, or performances:

FOR HARPISTS:

HipHarpAcademy.com Presents a

FREE WEBINAR FOR HARP PLAYERS!

 Deborah Henson-Conant’s

“Blues for Meditation Harp-Style”

Sat. Mar. 31 at 2pm EDT

"5-DAY Harp IMPROV Challenge" 

A FREE Training 
from  Deborah Henson-Conant

 

Learn the First Step of Freedom: Free Yourself from Reading the Notes on the Page.  Register here to join the challenge

Woohoo! You'r Registered for the 2022 "5-Day Harp Improv" Challenge!