WELCOME TO THE HOMEWORK DISPLAY FOR

Strings of Passion 2021 – [Due March 1] – Week 7* – ROLES Module

[*We’re all confused about what week is what — but the FEEDBACK for this module is on the Week 7 Chat]

This is the page where you can view all the homework videos, images and text that members submit so we can go over them during the weekly masterclass-chats.

This week’s Homework for “Strings of Passion” was to create a 7-beat story with music using the Story-Music Template in the “How to Tell Your Story with Music” Blueprint (#7), applying the principles from the first three strings.


Student's Descriptions of their Homework & What they Need Coaching on (Click To Open)

BELL-Louise

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Video for Blueprints For Creativity: Vamp Expander. Clair de lune + improv

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Any general feedback / suggestions welcome thank you.

Attach your homework in PDF or JPEG format here.

BFCVamp-Expander- Clair de lune.pdf

Describe your image – if there’s anything in particular you want to say about it to help others know what they’re looking at, add that here.

This is a pdf showing the chord sequence I chose after experimenting with various Vamps.

 

BIEBER-Stefanie

https://youtu.be/qv-UxVYazfs

Briefly describe your video and how it relates to the prompts and ideas in the course.

Usually I accompany a story teller, she has the word part and I play the music, and if she is ill I tell the stories, but in German, to do it all in English was a very awkward feeling because I had to think about what I was going to say instead of just letting it flow.
Interesting experience, it does not feel as authentic as when I produce Videos in German ;o).

 

 

 

BROWN-Sophie

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Sorry for the poor sound quality! I was running late so I just recorded it on my phone. Similarly i know the angle might not be great.  It was fun to return to such a simple piece that I can play in my sleep – and for that to be okay!

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

I found the story quite boring, but my story of when I first played a harp too complicated – so I guess I’d like coaching more on how you craft a story than how you pair with the harp playing.

 

 

CRAIG-Lauri

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

My favorite song – Lauri Craig SOP

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

My first posting!!!! Please just what is working 😀

Is there anything else you want me to know about your video?

Remade it many many times trying to keep it short!!!

 

DAVIDSON-Joan

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Storytelling for my brother’s birthday.

General format. Sorry that it is a bit longer than requested.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

When it came to playing the tune, I reverted to just chords and singing. I felt a bit frozen when it came to actually trying to play the tune as well as singing. I knew the tune in my head but I couldn’t get it out through my fingers.

Is there anything else you want me to know about your video?

Will probably send it to my brother anyway!

I was having trouble sending to you through Utube . Not sure if you have even received this!

 

 

 

DAWES-SALAZAR-Alicia

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

 ***The same homework submission as last week as I wanted to get feedback as I had to leave early last week. I uploaded an edited video in an attempt to make it a bit shorter.

Special Project – Looper

IMPULSE -I wrote this soon after breaking my wrist. A bit of a therapy song I suppose to keep myself optimistic.

All levers down except for all the C’s. What key would that be?

Rubato introduction over Bb/Eb then F/E

Looping a rhythmic comp patter/ Bass/ Mini Riff (I ha fun with the character this added)

STRUCTURE –  I think i need quite a bit of help here

Ignore me forgetting the words. I hate writing lyrics and not very good at remembering them …. clearly.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

~As always, its great to hear what is working and any ideas you have to add or change.

I feel like its not really going anywhere and feels very repetitive. I was trying to keep it simple and exercise bringing different loops in and out. But it just all feels same same with out much diversity. Do you think this is ok or is it missing something?

The ending felt quite awkward. I didn’t really know how to get out.

Does it feel like karaoke as I tend to either sing or play when using the looper? I feel like I should be using the looper and playing the harp and singing at the same time. Does it really matter?

I have a hard time writing lyrics as it always makes me cringe a little but I just had to with this one as it was like and encouragement to myself but not sure if it flows very well.

Is there anything else you want me to know about your video?

Really enjoyed using my new DHC. Not sure if i have the sound quite right yet but working on it. Loved my backdrop too. It’s a padded upholstered back wall. Works a treat and permanently there which is very handy.

 

 

FLEISSNER-Dimitra

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is an attempt of telling a story with music. Since I don’t really remember the first time I ever saw a harp, I chose to talk about the first time I ever played a harp.

The piece I’m playing is my latest composition called “Seelenstreichler” which means “Soul Caress”.
I played the whole piece in the end. That’s what makes the video so long. The story part is a bit longer then 90 seconds.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Are the transitions from playing to talking smooth enough? Should I pause longer in between?
I tend to rarely look at the audience while playing, I’m mostly caught in the music myself, should I look up that more often?
And of course tell me what is working.

Attach your homework in PDF or JPEG format here.

Harp_first.jpg

Describe your image – if there’s anything in particular you want to say about it to help others know what they’re looking at, add that here.

In the video I talk about the first time I ever played a harp. This is a photo of that moment.

 

 

 

 

 

HARTMANN-Laurie

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is a story with the harp of one of the times that the harp first called to me. I should have given credit in the video that Stan McDaniels was the English professor who wrote the song.

I notice that my eyes are darting around, partly because I don’t have the song memorized and maybe nerves?

Also, I use a large Ipad to video and when on landscape the camera is on the very left or right. Should I look directly at the little camera when I am speaking?

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

My question is listed in the previous box. Where to look.

Is there anything else you want me to know about your video?

It was really fun to do this and I have been inspired to use this template in other ways. Just shared a poem with  harp interspersed with words last night at a zoom poetry bday party. I lLOVED doing it. And really didn’t care what anyone else thought cause I loved it so much. This is a first for me!

 

 

 

 

HENLEY-Carol

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is my video for the blueprint “Tell Your Story with Music”–“The First Time I Saw a Harp.”

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

The song I played is “Blind Mary”, an O’Carolan tune.  It is one of the first tunes I played on the harp.  Doing that tune today, I realized how restricting it is to be locked to a page of music.  I never memorized the tune, so even though it is simple, I struggled to play it as written.  I made a couple “mistakes” which I tried to cover up as I kept going.  What I want feedback on is my choice of segments of the tune and whether or not the musical segments were in harmony with the narrative.

Is there anything else you want me to know about your video?

It was a challenge to do the assignment video in about 90 seconds, but I think that was a good challenge.  I didn’t try to explain why I chose Blind Mary, because I wanted to keep the video length within 90 seconds and why I chose it would have been another story in itself.

Please tell me what worked and any changes I might consider making.

 

 

 

HOLD-Doris

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

I tried to make this Video only 1’30 sec, but it is (only) 10 sec longer, sorry 🙂
Hopefully my english is more or less right.
I Play a part of a small peace of Pambuch in G called sunset. It reminds me of that time.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Perhaps it would be better to play in the end only one long chord??
I found a part of the music played to hard (chords in the first two parts)?
I touch my nose, can I leave thinks like that or is it better to do it again?

 

 

 

HORTON-Anne

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is the homework for “Story Music Blueprint”.  There are 7 “Beats” beginning with a musical phrase that “prefigures” the tune that is played in full in the final beat.  The musical prefiguring phrase is repeated 3 times as it alternates with short spoken segments where a story unfolds.

This was my very first take! (nothing short of a miracle considering how many takes I usually do!!!).  I decided to use it – despite the mistakes in my playing which I think I managed to cover up okay (by just keeping on going as if that was how it was supposed to sound!).  I felt that the natural flow and emotion of the speaking might become compromised with further takes even though the harp playing would’ve got better.

I dimmed the light and had the camera closer than usual – even though this meant not all of my left hand was in the picture the whole time – the tradeoff was an increased sense of intimacy and softness – suited to the lullaby theme.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

I wasn’t sure how to end. Just stop playing? Or have a little “I hope you enjoyed my story ..” message?  Do you think the end was okay? How could I have improved it?

Do you think the choice I made (to prioritise speaking over harp playing) was the right choice? Why?

Do you think the choice to zoom in and create a sense of greater intimacy was the right choice – even though it meant you can’t always see my left hand?

I welcome any other feedback.

 

 

INMAN-EBEL-Beverly

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is a video of when I first saw a harp played. I tried playing the opening same shape one note up – After you heard the true melody, did the intro tie in okay?

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

My noodling still is awkward. Did it sound too redundant?

Is there anything else you want me to know about your video?

Videoing is good for me as it allows me to see my pauses that I don’t feel when I am playing.

 

 

 

KALDRO-Kirsti

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is my revamp of my storytelling with the harp, incorporating your suggestions from coaching last week.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

As last week, yes, what is working, but also what you would do differently.

Is there anything else you want me to know about your video?

I’m sorry my left hand is not showing all the time.  I need to keep working to find a good camera angle.

 

 

LAPIDUS-Lynne

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is the story of the first song I tried to play on the harp. This is a song I can no longer play in context and just thinking about doing this as homework had me up crying in the middle of the night. I only made one recording. I kept missing dropping down to the A chord and simplified it on the fly. I also ended up with a little extra beat: I lost the starting pitch and played a little bit before the last sentence in beat 6 rather than replay the intro, so I guess I didn’t follow the formula exactly, but this is what came out.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

What is working?

Is there anything else you want me to know about your video?

Since that time, there was more personal devastation for me surrounding the holiday, which made it even harder.

 

 

MILLER-Ilene

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

This is a story and how I started to play the harp and then I do Beautiful Dreamer. I almost did not submit my video because I couldn’t figure out how to make it only 90 minutes.  I just could barely keep it below 3 minutes.
So, could you please tell me if my story parts are ok?  You don’t have to go to the song part.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

I just want coaching on the first 6 sections –the story part and the little parts of music.

Is there anything else you want me to know about your video?

When I sing the words, I do it slowly because I usually only vocalize in the hospital.  That’s what I was taught to do.

 

 

NELSON-Fern

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Story# 1. I found it surprising challenging to tell the story and do snippets of music. Please look at placement of my fingers, they are sort of shaky today and I had to try to place them without it looking obvious.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Question 1.  The snippets of the song are of varying lengths, is this ok or should I try to make them the same length,
Question 2.  Any tips on what to do when fingers are shaky or not co-operative?

Is there anything else you want me to know about your video?

I actually had to cut up a copy of the music and piece together snippets that I thought worked.  The parts don’t really follow the order that they appear in the piece. Is that common and did it work here?

Any feedback is welcome!

 

 

 REIMOSER-Susanne

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Blueprint: “Tell your Story” No. 1

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Had troubles where to look while talking. When I look at myself while filming with the phone, I’m not looking directly at the camera. And when I look at the small spot where the lens is all the time it feels unnatural.

Otherwise, I’d just like to know what is working.

Is there anything else you want me to know about your video?

Yay! My first video-upload on youtube.

 

 

 

RISS-Marie

This is a 2.40 min. harp story-telling performance of a signature song through my life.  Questions for Deborah would include:  any feedback.

 

 

SCHOLZ-Tina

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Yes, it’s 60 seconds over today, but please play all THIS time.

People from last week’s homework submission inspired my costume — yes, I could wear a tshirt that says MS and the colors of MS — and their homework inspired me to share a story about HOW I found my harp.

This was a rushed job early this morning experimenting with my ideas

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

I know I need to choose another song for my role. Did my costume work? Is This Cheating Heart a good song for his role?

And I know I need to get to 90 sec, but I knew I couldn’t redo in time today and catch what story this told.  I can do it, but not today

Is there anything else you want me to know about your video?

I’d been brainstorming this idea throughout the week and just liked rushed it out this morning (busy, busy week)).  I’m looking forward to smoothing it out.

 

 

 SEERING-Mona

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Valentine homework which is probably the worst I’ve ever done! Oh well it was fun and showed me.

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Open to help!

 

 

VERDOOLD-Joke

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Storytelling-practise: “The first time I saw a harp”. But actually “How real is live as I see it?”

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

Please just tell me what is working.

 

 

WADSWORTH-Pumehana

Describe your video so I know exactly what you’re sending me. If there’s anything special you want me to look at, listen to (or ignore), tell me what it is.

Baroque Flamenco on the lever harp –  this arrangement is from a workshop …circa 1996..  the video is under 7 minutes…

TELL ME WHAT YOU NEED COACHING ON. Provide specific questions here so I know what you want me to give you feedback on. Remember, I’m not grading or assessing your work – I’m coaching – and I can only do that if I know what you’re TRYING to do, so I can gear my coaching to help you achieve that.

I don’t know how to transition between the themes.  I used editing software effects to make the transitions visual.  I did not watch the blueprint prior to doing this video.

On a lever harp : How do you do those fancy glisses after the soundboard percussion part ? There’s a C# and Cb changes.

Equipment :  I used my laptop camera and it came out blurry. What kind of computer camera do you use ?

In March, I plan to invest in better sound and audio equipment.  Can you share what you use ?

Is there anything else you want me to know about your video?

I started ‘ The Artist’s Way’ by Julia Cameron about three weeks ago…first listening to the audio book and now have bought the workbook – i’ve gotten the first week done and doing daily Morning Pages. Since i have identified important monsters I am feeling freer.  I heard you mention about this in a masterclass.

 

 

 

 


BELL-Louise

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Click to download Louise's PDF

BIEBER-Stefanie

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BROWN-Sophie

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CRAIG-Lauri

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DAVIDSON-Joan

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DAWES-SALAZAR-Alicia

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FLEISSNER-Dimitra

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Dimitra’s Image – “In the video I talk about the first time I ever played a harp. This is a photo of that moment.”

HALUN-Tammy

Tammy’s Drawing – “Inspired by the [March 1] afternoon meditation.”

HARTMANN-Laurie

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HENLEY-Carol

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Carol’s Image – “This is the way I see the structure of the Story Music Blueprint.  The hatch marks for talking remind me of the way Woodstock communicates in the Peanuts comic strip.  He is such a cute bird.”

HOLD-Doris

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HORTON-Anne

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INMAN-EBEL-Beverly

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KALDRO-Kirsti

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LAPIDUS-Lynne

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MILLER-Ilene

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NELSON-Fern

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REIMOSER-Susanne

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RISS-Marie

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SCHOLZ-Tina

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SEERING-Mona

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VERDOOLD-Joke

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WADSWORTH-Pumehana

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